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Tuesday, October 18, 2016

Drawing and Recording by Lens-Based Media

The photographic camera sees everything we dont. - David Hockney\n\nA photograph is still because it has stop time. A muster is static but it encompasses time. - John Berger\n\n concourse have been drawing since the chatter of humankindity, as evidenced in early cave drawings and groyne frescos. The development of paper had a major impact on the way that drawing was record and distributed. In 1826, the invention of the camera had a profound imprint on the world, providing a pertly way of recording information. In this essay, I will argue and compare the acts of recording through with(predicate) drawing - the human center field - and cameras - the mechanical eye, drawing on envisions from periods of time since the early cameras of the ordinal century. Specifically, I have chosen ternion periods that relate to human conflicts; the Crimean War, the Vietnam War and the recent struggle in Iraq. Through these three periods I will research the developments in technology, a nd in subprogrames and school of thought of the acts of recording, both by drawing and by lens base media.\nWe begin our discussion in the 1850s, when for the first time we tolerate compare the acts of recording by drawing and photography The Crimean contend artist, William Simpson was respected as delivery the reality of war to the British people. He went to the Crimean war and; he reported faith sufficienty, sometimes disapprovingly on what he saw He preferred trueness to drama, spirit to extravagance (Lipscomb, 1999) His noted painting The Charge of the descend Brigade (figure 1) was undoubtedly a sustained study, bringing unneurotic a number of sketches of the fount to provide a full persona for the viewer.\nConversely, Crimean war lensman Rogar Fenton never confiscated battles, explosions, and the blood and separate that is a moving image of war The first interoperable photographic method, daguerreotype, had a process too slow to capture a moving image; it needed to focus for a longer period on an unmoving object. But Michell...

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